Solo show
L’Ère du Verseau – Marcel Duchamp Prize (2024-2025)Temple of Love – To Hide, KfW Stiftung (2024)
Maât and the tears of God – Aware Prize (2024)
Mentorship, Reiffers Art Initiatives (2023-2024)
Immortelles – A SUD (2023)
Blue Lights in the Basement, Nicoletti Contemporary (2022)
Temple of Love — To Hide, Kunstlerhaus Bethanien (2022)
Temple of Love — Atopos, MAC VAL (2022)
Mondes Subtiles, Air de Paris (2021)
Défixion, Musée Henri-Prades and MO.CO, Panacée (2020)
Hybris, galerie Untilthen (2018)
The Sea Says Nothing, openstudio Rijksakademie (2018)
Openstudio, Rijksakademie (2017)
C R I C C R A C, Centrale Gallery Powerhouse (2015)
Cric Crac (2015)
Group show
Van Gogh and the Stars, Fondation Van Gogh (2024)Temple of love — Love To Love, New Museum (2021-2022)
Les Moyens du bord, La Vilette x Centre Pompidou (2020)
Le fil d’alerte, Fondation Ricard Prize (2019)
Culture Pop Marauders, Mains d’Oeuvres (2016)
Potomitan, Tour Panorama (2014)
Temple of Love
Temple of Love – Tutti Sistemati, Toronto Biennial (2024)Temple of Love – To Hide, KfW Stiftung (2024)
Temple of Love — To Hide, Kunstlerhaus Bethanien (2022)
Temple of Love — Atopos, MAC VAL (2022)
Temple of love — Love To Love, New Museum (2021-2022)
Temple of Love — Affirmation, ROHM Theatre Kyoto 1 octobre 2021
Temple of Love – To Be Ascetic (Tolalito), Göteborg Biennial (2021)
Biennial
Temple of Love – Tutti Sistemati, Toronto Biennial (2024)Steles – Gwandju Biennale (2024)
Temple of Love – To Be Ascetic (Tolalito), Göteborg Biennial (2021)
An unpredictable expression of human potential, Sharjah Biennial (2017)
Performance
Monument aux Vivant·e·s – FESTIVAL DÉPRESSION 10 mai 2023Monument aux Vivant·e·s – DÉNI (2023)
Monument aux Vivant·e·s – CHOC 10 mai 2022
Temple of Love — Affirmation, ROHM Theatre Kyoto 1 octobre 2021
👽
Independent Art Fair, New York City (2023)Union poisson hallal (2021)
Eat me softly – If you come softly (2021)
Sculptures and more
Ruche (2024)Tears of God (2024)
Transitional object of desire (2023)
Potomitan (2023)
Conquête et Carnaval_ Marchandage (2023)
AURA/ARUA (2023)
Sun City (2023)
Linea de amore (2023)
Screen Telluric ascension (2023)
Madonna de l’abondanzia (2023)
Liberation (2023)
Frequencies (2023)
Inner earth (2023)
Backroom (2023)
Love is healing – Yeshua (2022)
Entre chien et loup (2015)
Nous Carl Brouard (2015)
Le pied d’Alep (2015)
Sequin + Vodou + Abstract (2015)
Vase à loup-garou (2015)
Fontaine est puits, l’or noir (2014)
Series
Pause-ClopeStèles (Port-au-prince, Haïti)
Zentray
Safe space for a passing History
Map of heart
Affectives documents
Peau de chagrin
Videos
AURA/ARUA (2023)Quand je serai morte (2015)
Guarapera (2015)
CRIC CRAC (2014)
Le fil d’alerte, Fondation Ricard Prize, 2019
21th Ricard Prize Fondation, Paris, France+
Referring as it does to the thread that links the spider to its web and lets it know when an event has just occurred, this title is a metaphor for the curator’s relationship with her environment. It also evokes the attention we give to a context, dynamically and alertly!
The question raised by the Fondation d’entreprise Ricard Prize exercise is rewarding because it proposes to distinguish the work of artists as so many promises. I myself have chosen to answer it by providing a snapshot of the multiplicity of voices being expressed, testifying to the vitality of the French art scene and the strength of the debates it raises.
It welcomes all practices and all forms of plastic expression, from painting to performance, from sculpture to furtive works, from drawing to photography and video, without any hierarchy — quite the contrary.
All of the artists who make up “Le fil d’alerte” are attentive to the world and activate consciousness through sensitive and activist gestures. In music we wold say it is polyphonic, that is, it assembles voices without prejudging their nature. Their artistic projects convey precise positions, whether they be that of the anthropologist-artist, the activist, the smuggler, the researcher, the evoker or the critic, for whom orality, ecology, the colonisation of territories and/or bodies, the cosmological vision of the world, identities, feminism, economics and the queer have a stake in their work.
But it can also be said that some of them also endeavour to get away from these concepts, which they view as restrictive categories whose contours the artistic work seeks to redraw.
Although it is not set up as thematic group exhibition, since the exhibition context raises a completely different type of question, “Le fil d’alerte” will be, I hope, a choral exhibition (stemming from a spiral vision) that establishes “community”.
Claire Le Restif
Artistes
Corentin Canesson
Sarah Tritz
Gaëlle Choisne
Kapwani Kiwanga
Simon Boudvin
Paul Maheke
Eva Barto
Marcos Avila Forero
Estefanía Peñafiel Loaiza
Curator
Claire Le Restif