Solo show
Temple of Love. Cœur – Scuola Piccola Zattere (2025)L’Ère du Verseau – Marcel Duchamp Prize, Centre Pompidou (2024-2025)
Temple of Love – To Hide, KfW Stiftung (2024)
Maât and the tears of God – Aware Prize (2024)
Lorna Simpson & Gaëlle Choisne – Mentorship, Reiffers Art Initiatives (2023)
Immortelles – A SUD (2023)
Blue Lights in the Basement, Nicoletti Contemporary (2022)
Temple of Love — To Hide, Kunstlerhaus Bethanien (2022)
Temple of Love — Atopos, MAC VAL (2022)
Mondes Subtiles, Air de Paris (2021)
Défixion, Musée Henri-Prades and MO.CO, Panacée (2020)
Hybris, galerie Untilthen (2018)
The Sea Says Nothing, openstudio Rijksakademie (2018)
Openstudio, Rijksakademie (2017)
C R I C C R A C, Centrale Gallery Powerhouse (2015)
Cric Crac (2015)
Group show
Copysts – Centre Pompidou-Metz (2025-2026)Magical Realism: Imagining Natural Dis/order – WIELS (2025)
FEMMES, Perrotin Gallery (2025)
The Last Place They Thought of, Kunsthal Mechelen (2024-2025)
Siren Songs, Villa Medici (2024-2025)
This is the time of sweet sweet change for us all, C-A-L-M Centre d’art la Meute (2024)
Van Gogh and the Stars, Fondation Van Gogh (2024)
Ritual in transfigured time – NW, Aalst (2024)
Temple of Love — Love To Love, New Museum (2021-2022)
Les Moyens du bord, La Vilette x Centre Pompidou (2020)
Le fil d’alerte, Fondation Ricard Prize (2019)
Culture Pop Marauders, Mains d’Oeuvres (2016)
Potomitan, Tour Panorama (2014)
Temple of Love
Temple of Love. Cœur – Scuola Piccola Zattere (2025)Temple of Love – Tutti Sistemati, Toronto Biennial (2024)
Temple of Love – To Hide, KfW Stiftung (2024)
Temple of Love — To Hide, Kunstlerhaus Bethanien (2022)
Temple of Love — Atopos, MAC VAL (2022)
Temple of Love — Love To Love, New Museum (2021-2022)
Temple of Love — Affirmation, ROHM Theatre Kyoto 1 octobre 2021
Temple of Love – To Be Ascetic (Tolalito), Göteborg Biennial (2021)
Temple of Love – Absence – La Biennale de Lyon (2019-2020)
Biennial
Temple of Love – Tutti Sistemati, Toronto Biennial (2024)PANSORI: A Soundscape of the 21st Century – 15th Gwandju Biennale (2024)
Temple of Love – To Be Ascetic (Tolalito), Göteborg Biennial (2021)
Temple of Love – Absence – La Biennale de Lyon (2019-2020)
An unpredictable expression of human potential, Sharjah Biennial (2017)
Performance
Monument aux Vivant·e·s – FESTIVAL DÉPRESSION 10 mai 2023Monument aux Vivant·e·s – DÉNI (2023)
Monument aux Vivant·e·s – CHOC 10 mai 2022
Temple of Love — Affirmation, ROHM Theatre Kyoto 1 octobre 2021
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Independent Art Fair, New York City (2023)Frieze London (2022)
Union poisson hallal (2021)
Eat me softly – If you come softly (2021)
Sculptures and more
Ruche (2024)Tears of God (2024)
Transitional object of desire (2023)
Potomitan (2023)
Conquête et Carnaval_ Marchandage (2023)
Liberation (2023)
Forget the appearances 5D (2023)
Luggage_astral_crystal (2023)
Sun City (2023)
Linea de amore (2023)
Screen Telluric ascension (2023)
Madonna de l’abondanzia (2023)
Frequencies (2023)
Inner earth (2023)
Backroom (2023)
AURA/ARUA (2023)
Love is healing – Yeshua (2022)
Purple water-wishes and more foreva1111illimited love.) period. (2022)
My devotion for you (2022)
Fucking strong pyramid power (2022)
L’éveil du Cosmos (2022)
Paul Gilroy my bro (2022)
Lie close to your ancestors (2022)
Penelopes (2022)
Vase à loup-garou (2015)
Sequin + Vodou + Abstract (2015)
Le pied d’Alep (2015)
Nous Carl Brouard (2015)
Entre chien et loup (2015)
Fontaine est puits, l’or noir (2014)
CROCODILE HUNTERS (2013)
DIORAMA (2013)
Series
Safe space for a passing HistoryPause-Clope
Stèles (Port-au-prince, Haïti)
Bye bye memory
Zentray
Map of heart
Affectives documents
Peau de chagrin
Videos
CREOLE GARDEN IN NORMANDIE (2024)PERMANENT STATE OF LIVING (2024)
AURA/ARUA (2023)
ACCUMULATION PRIMITIVE / PRIMITIVE AMNÉSIA (2021)
ALTÉRATION (2019)
VERTIÈRE N’EXISTE PAS (2018)
LANGUAGE OF BIRDS (2018)
N.E.V.A.Q.N.A.L.A. (2017)
THE SEA SAYS NOTHING (2015)
S’ABÎMER (2015)
CRIC CRAC – ÉPILOGUE (2015)
GUARAPERA (2015)
QUAND JE SERAI MORTE (2015)
CRIC CRAC (2014)
CRIC CRAC – PROLOGUE (2013)
DIORAMA (2013)
CROCODILE HUNTERS (2013)
The Sea Says Nothing, openstudio Rijksakademie, 2018
Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands+
The sea says nothing is a 25 minutes live music performance of the Haitian composer Carmen Brouard. Together, Caroline Wagner (violin), and Ere Lievonen (piano) plays a voodooist sonata in a sculptural installation, creating a dialogue between music, sculptures, and images.
Carmen Brouard was a Haitian-Canadian pianist, composer and music educator of the twentieth century. Her work stands out for its openness to the world and a desire for modernity firmly rooted in French post-romanticism, without denying the expression of a subtle nationalism. Her quest for expression is crystallized in a happy alliance of Fauréan harmony with masters of Haitian drummed rhythms transcended by a mystical oriental breath.
The performance is one of the main elements of the installation composed of sculpture and projection. This dialogue between the musicians and the art space gives a new dimension to Haitian rites and voodoo culture. The sound is, a new material, to shape and integrate the burgeoning installations of the artist and bring us to her imaginaries. The artist’s interest in the production process is often left apparent in installations, sculptures, and images, this idea is also present in this choice of making a performance.
The two artists are professional musicians. Ere Lievonen is a Finnish-born pianist, forte pianist, harpsichordist, and organist. He is specialized in historical performance practice as well as in contemporary music. He has performed as a soloist and as a chamber musician at numerous early and contemporary music festivals in several European countries and the USA and has given the first performances of over 200 new works. Caroline Wagner specialized in the playing of chamber music and is the artistic leader of chamber music ensemble De Bezetting Plaelt. Caroline won the Theo Olof prize at the Princess Christina Competition (1988) and the third prize at the international Locatelli competition (1997).
