Solo show
L’Ère du Verseau – Marcel Duchamp Prize (2024-2025)Temple of Love – To Hide, KfW Stiftung (2024)
Maât and the tears of God – Aware Prize (2024)
Mentorship, Reiffers Art Initiatives (2023-2024)
Immortelles – A SUD (2023)
Blue Lights in the Basement, Nicoletti Contemporary (2022)
Temple of Love — To Hide, Kunstlerhaus Bethanien (2022)
Temple of Love — Atopos, MAC VAL (2022)
Mondes Subtiles, Air de Paris (2021)
Défixion, Musée Henri-Prades and MO.CO, Panacée (2020)
Hybris, galerie Untilthen (2018)
The Sea Says Nothing, openstudio Rijksakademie (2018)
Openstudio, Rijksakademie (2017)
C R I C C R A C, Centrale Gallery Powerhouse (2015)
Cric Crac (2015)
Group show
Van Gogh and the Stars, Fondation Van Gogh (2024)Ritual in transfigured time – NW, Aalst (2024)
Temple of Love — Love To Love, New Museum (2021-2022)
Les Moyens du bord, La Vilette x Centre Pompidou (2020)
Le fil d’alerte, Fondation Ricard Prize (2019)
Culture Pop Marauders, Mains d’Oeuvres (2016)
Potomitan, Tour Panorama (2014)
Temple of Love
Temple of Love – Tutti Sistemati, Toronto Biennial (2024)Temple of Love – To Hide, KfW Stiftung (2024)
Temple of Love — To Hide, Kunstlerhaus Bethanien (2022)
Temple of Love — Atopos, MAC VAL (2022)
Temple of Love — Love To Love, New Museum (2021-2022)
Temple of Love — Affirmation, ROHM Theatre Kyoto 1 octobre 2021
Temple of Love – To Be Ascetic (Tolalito), Göteborg Biennial (2021)
Temple of Love – Absence – La Biennale de Lyon (2019-2020)
Biennial
Temple of Love – Tutti Sistemati, Toronto Biennial (2024)Steles – Gwandju Biennale (2024)
Temple of Love – To Be Ascetic (Tolalito), Göteborg Biennial (2021)
Temple of Love – Absence – La Biennale de Lyon (2019-2020)
An unpredictable expression of human potential, Sharjah Biennial (2017)
Performance
Monument aux Vivant·e·s – FESTIVAL DÉPRESSION 10 mai 2023Monument aux Vivant·e·s – DÉNI (2023)
Monument aux Vivant·e·s – CHOC 10 mai 2022
Temple of Love — Affirmation, ROHM Theatre Kyoto 1 octobre 2021
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Independent Art Fair, New York City (2023)Frieze London (2022)
Union poisson hallal (2021)
Eat me softly – If you come softly (2021)
Sculptures and more
Ruche (2024)Tears of God (2024)
Transitional object of desire (2023)
Potomitan (2023)
Conquête et Carnaval_ Marchandage (2023)
Liberation (2023)
Forget the appearances 5D (2023)
Luggage_astral_crystal (2023)
Sun City (2023)
Linea de amore (2023)
Screen Telluric ascension (2023)
Madonna de l’abondanzia (2023)
Frequencies (2023)
Inner earth (2023)
Backroom (2023)
AURA/ARUA (2023)
Love is healing – Yeshua (2022)
Purple water-wishes and more foreva1111illimited love.) period. (2022)
My devotion for you (2022)
Fucking strong pyramid power (2022)
L’éveil du Cosmos (2022)
Paul Gilroy my bro (2022)
Lie close to your ancestors (2022)
Penelopes (2022)
Vase à loup-garou (2015)
Sequin + Vodou + Abstract (2015)
Le pied d’Alep (2015)
Nous Carl Brouard (2015)
Entre chien et loup (2015)
Fontaine est puits, l’or noir (2014)
CROCODILE HUNTERS (2013)
DIORAMA (2013)
Series
Pause-ClopeStèles (Port-au-prince, Haïti)
Bye bye memory
Zentray
Safe space for a passing History
Map of heart
Affectives documents
Peau de chagrin
Videos
CREOLE GARDEN IN NORMANDIE (2024)PERMANENT STATE OF LIVING (2024)
AURA/ARUA (2023)
ACCUMULATION PRIMITIVE / PRIMITIVE AMNÉSIA (2021)
ALTÉRATION (2019)
VERTIÈRE N’EXISTE PAS (2018)
LANGUAGE OF BIRDS (2018)
N.E.V.A.Q.N.A.L.A. (2017)
THE SEA SAYS NOTHING (2015)
S’ABÎMER (2015)
CRIC CRAC – ÉPILOGUE (2015)
GUARAPERA (2015)
QUAND JE SERAI MORTE (2015)
CRIC CRAC (2014)
CRIC CRAC – PROLOGUE (2013)
DIORAMA (2013)
CROCODILE HUNTERS (2013)


Bye bye memory, 2024
Digital colour print on marble90 x 58, 118 x 55, 81 x 44, 65 x 45, 65 x 30, 117 x 45 cm
Image Credits: Installation view „Gaëlle Choisne. Temple of Love - To Hide” at KfW Stiftung, Villa 102, 2024, © KfW Stiftung, VG Bild-Kunst, Bonn 2024, Photos: Jens Gerber
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On her first trip to Haiti in 2012, the medium of photography took on a new significance for the artist. As a child of the diaspora growing up in France, Choisne had always been familiar with Haiti despite never having visited before. It was only during her travels there, accompanied by her camera, that she recognised the profound connection between her artistic work and Haiti. She describes the aesthetics of her art and the fragility of her installations as “organised chaos”, a reflection of Haiti’s diverse and often improvised ways of life – a form of subconscious knowledge she aimed to explore through photography. With each subsequent visit, she expanded her photographic archive, capturing similarly unexpected perspectives and fleeting moments in other locations as well. In Choisne’s work bye bye memory, these images are printed on marble slabs and displayed in the exhibition space like archaeologically unearthed memory fragments. The artist contrasts luxurious marble, a material historically prized in Europe for its hardness and durability, used in monuments, with the fragmented memories that have shaped her understanding of Haiti and, ultimately, her own diasporic identity.