Solo show
Mentorship, Reiffers Art Initiatives (2023-2024)Immortelles – A SUD (2023)
Temple of Love – To Hide, KfW Stiftung (2024)
Maât and the tears of God – Aware Prize (2024)
L’Ère du Verseau – Marcel Duchamp Prize (2024-2025)
Temple of Love — Atopos, MAC VAL (2022)
Temple of Love — To Hide, Kunstlerhaus Bethanien (2022)
C R I C C R A C, Centrale Gallery Powerhouse (2015)
Cric Crac (2015)
Openstudio, Rijksakademie (2017)
The Sea Says Nothing, openstudio Rijksakademie (2018)
Hybris, galerie Untilthen (2018)
Défixion, Musée Henri-Prades and MO.CO, Panacée (2020)
Blue Lights in the Basement, Nicoletti Contemporary (2022)
Mondes Subtiles, Air de Paris (2021)
Performance
Monument aux Vivant·e·s – FESTIVAL DÉPRESSION 10 mai 2023Monument aux Vivant·e·s – DÉNI (2023)
Temple of Love — Affirmation, ROHM Theatre Kyoto 1 octobre 2021
Monument aux Vivant·e·s – CHOC 10 mai 2022
Biennial
Temple of Love – Tutti Sistemati, Toronto Biennial (2024)Steles – Gwandju Biennale (2024)
Temple of Love – To Be Ascetic (Tolalito), Göteborg Biennial (2021)
An unpredictable expression of human potential, Sharjah Biennial (2017)
Group show
Van Gogh and the Stars, Fondation Van Gogh (2024)Temple of love — Love To Love, New Museum (2021-2022)
Potomitan, Tour Panorama (2014)
Culture Pop Marauders, Mains d’Oeuvres (2016)
Le fil d’alerte, Fondation Ricard Prize (2019)
Les Moyens du bord, La Vilette x Centre Pompidou (2020)
👽
Independent Art Fair, New York City (2023)Eat me softly – If you come softly (2021)
Union poisson hallal (2021)
Sculptures and more
Entre chien et loup (2015)Nous Carl Brouard (2015)
Le pied d’Alep (2015)
Sequin + Vodou + Abstract (2015)
Vase à loup-garou (2015)
Stèles (Port-au-prince, Haïti) (2024)
Fontaine est puits, l’or noir (2014)
Videos
Guarapera (2015)Quand je serai morte (2015)
Tutela est Fortuna est Tyché (2015)
Cric Crac #2 (2014)
Le pied d’Alep, 2015
Aleppo soap (collaboration with NAJEL (Syria), plaster, sysal, natural pigments, casters), 100 x 100 x 35 cm+
This foot is a tribute to humans, to walkers. After discovering an article on the internet in 2015 about an Aleppo soap company that was continuing to operate in the north of Aleppo in Syria. I learned that the branch of this company was in Lyon, where I lived at the time. So I contacted NAJEL to propose a collaboration, which they accepted.
So I sculpted a realistic, academic foot from a clay model, which I then used to make a silicone mould. The mould travelled from Villeurbanne to Aleppo. They moulded fresh Aleppo soap inside and sent back the foot, which travelled for a year under bombardment before returning to Villeurbanne in early 2017.
The soap speaks of our fragility as human beings. It speaks of human finitude. It is symbolically a metonymy of man. It evokes displacement, it speaks of war, of flows, it could be ‘zombie-footed’, it could be an ex-voto. A sculpture to make a wish so that our humanity remains standing.