The artist Gaëlle Choisne introduces the living into the rooms of the museum: she welcomes the visitors’ bodies as the very subject of the project and implements the principle of hospitality so precious to the MAC VAL, in order to consider and care for them. Invited to invest the spaces of the museum, Gaëlle Choisne proposes a total project that takes place in her exploration of Roland Barthes’ Fragments d’un discours amoureux, entitled « Temple of Love », a realization implemented for several years in different places as it was for example the case at Bétonsalon, in 2018.

This new occurrence at the MAC VAL, Atopos, is declined in the heart of the exhibition space of the collection « Bare Hands », in front of other works. Through furniture and sculptural devices it proposes forms of reception of the public, inviting them to participate and listen to artistic interventions programmed by the artist: philosopher, artist, musician, anthropologist, masseur… about twenty interventions will take place in these installations that can be activated during one year.

Gaëlle Choisne accompanies the works in the collection with living things, with what is the very essence of humanity: philosophy, thought, contact, the thirst to become, germination, life.
Here, once again, his project is placed under the sign of love and relationships with others, an experience to live love as a political, social and solidarity response.
An ecosystem at the service of the living.

Love, a word that makes us blush. So we translate it into ‘Wicked!’ or into actions.
At the MAC VAL, in Vitry-sur-Seine, I invite all visitors to be careful with this word so delicate that we vulgarise it or do not speak it. Here, it is yours and for you, for all of you, but especially for the mino-rities, for those left behind, for the abandoned, for the sidelined, for the originals. It accompanies your steps and everything you see from me is made with it. I am trying to tell you that you are unique, original and never interchangeable, you are singular creatures to be loved and I invite you to start with yourself. Take this chance to settle down, to feel through the breath of your lives, through the struggles but also through the laughter, through a sigh, a soothing. I offer you spaces in the museum, a lull in a benevolent place, to feel good, to do sport, to find yourself. The museum is indeed a place that is made for this, not only for connoisseurs or professionals, but for all those who want to expe-rience, to feel.Ode to love for all! (Gaëlle Choisne)

Guests
— Les Apprenant*e*s de l’école des actes
— Marie-Carmel Brouard
— Contemporaines
— Gabriel Fontana
— Caroline Honorien
— Nge Lay et Aung Ko
— Roxanne Maillet et Célia Gaultier
— Gloria Maso
— Pascale Obolo et Afrikadaa
— Anouchka Oler Nussbaum
— Elisabetta Potasso
— Emmanuelle Soum

The flags were inspired by political banners used during elections in Haiti and were made in Port-au-Prince by the graphic designer James Ford Auguste. The bricks reference those used as ballast by Northern European ships deployed in the triangular trade. In the center of the pool is a lingam stone, which holds healing properties and the ability to protect against bad energy.

Presentation with support from Institut Français de Suède
Curator: Lisa Rosendahl
Guest: James Ford Auguste

On the occasion of the 20th anniversary of Nuit Blanche, the artist invests in Japan the Rohm Theatre in Kyoto and revisits the Temple of Love — Affirmation, originally conceived for the Museum of Modern Art in Paris during the 2020 Parisian event.

In an interplay between interior and exterior, a sound and light installation, at the entrance of the theater, combines the recitation of « decolonial mantras » with lush vegetation. Local medicinal, aromatic, exotic and edible plants are assembled according to the design of permaculture and traditional Creole gardens, respecting their balance and an animist conception of nature. In a scenic space, with original costumes of the artist decorated with Japanese accessories, a dance-performance takes place through the windows. The spirituality emanating from the mantra plants resonates with the sensuality, the vibrations and the body language of the dancers.

After an inaugural voguing performance in Paris, the Kyoto performance is singled out by its reference to butoh, a Japanese contemporary dance that expresses universal concepts and questions the dualities of human/non-human, feminine/masculine, beautiful/ugly, agony/extasy. The Temple of Love blends these universes and energies in a magical, creative and emancipating alchemy, a celebration of the living world that affirms, like Barthes, love as a value.

The performance was realized in collaboration with Daiji Meguro (choreographer and dancer), Moe Matsuki, Sho Takiguchi and Ryonosuke Endo (dancers).
Co-organizer: ROHM Theatre Kyoto (Kyoto City music art cultural Promoting Foundation)
Partner: Musée d’Art moderne de Paris
Concept: Gaëlle Choisne
Stage direction (Kyoto version): Daiji Meguro
Performers: Ryohosuke Endo, Sho Gakiguchi, Moe Matsuki, Daiji Meguro
Curator: Nadia Chalbi

Temple of Love – To Hide at Künstlerhaus Bethanien, is a new phase of Temple of Love – a long-term project aiming at a global reunification of the living through the concept of love. This exhibition, freely inspired by the chapter ‘To hide’ in Roland Barthes A Lover’s Discourse: Fragments, is resolutely oriented towards self-recon-struction through the sharing of experience, connec-tion to one’s ancestors, respect for heritage and inner corporal harmony.

With Ahuehuete, Pablo Altar, Arghtee, ASMR STACY, Association Agonessan, Mykki Blanco, Marie-Carmel Brouard, Cardi B, Jean Chesnel, Crystallmess, Virginie Despentes, Sidney Drew, Léo Dupré, Silvia Federici, Nadia Yala Kisukidi, Zoe Leonard, Audre Lorde, Agnes Noel, Euvonie Reynald and Megg Rayara Gomes de Oliveira, Madame Café, Karl Marx, Nicki Minaj, Djibril Sall, Spice, Lorenzo Targhetta, Christiane Taubira, Simone Thiébaut, Assa Traoré, Françoise Vergès, Amber Wagner, Tierra Whack.